Archive for the ‘Power generation’ Category

Connect your feet to your hands

Saturday, January 7th, 2012

On the wall in our martial arts centre in Basingstoke facing the students when they train is a list of 8 words, these 8 words represent the 8 principles that we need to fully understand to make our Martial Arts work.

The first of these words is ‘Feet’.  Our feet is our contact to the ground that we stand on and the pressure of our feet to the floor is what gives us the power and energy to stand upright and move around.  Most people usually do this mindlessly not realising that the skill as a Martial Artist starts at this point.  Each part of the foot can engage a myofascial chain up the leg, which in turn engages the body core to power the torso and arms through to the hands.

To engage the feet properly we must first stop balancing the body on the skeleton and suspend most of the body weight into the ‘body suit’ of myofascia. To do this we have to soften and connect the body core from the head down to the feet and enhance this by disengaging the joints upwards. As we then gently spiral in the feet we can feel the myofascial chains connecting upwards.

The balls of the feet engage up through the front of the thighs, the outer edges the sides of the legs, the heels the backs of the legs and the insides of the feet up the insides of the legs. All of these connect into the large muscles of the deep waist and around the spine Which can be manipulated in a highly complex and variable manner to add power up into the chest, upper back and shoulders and out through the arms to the hands.

On contact with the opponent the hands work in exactly the same manner back down to the feet.  The thumb side of the hands connect through the chest, the little finger side through the back, the heel of the hand through the underside and the upper or ‘ball’ of the hand through the forearm, the disengaging and opening of the shoulder, elbow and wrist joints and spiralling motion out through the hands whether balled or open, connects to the spiralling in the feet through the body core and legs.

The arches of the feet will pump energy as you soften, loosen and pulse from the feet, the spiralling action of the feet will bow the legs, opening the hip joints, lengthening and opening the spine, sending energy to the joining of the bowing of the lower and upper back and neck to enhance this flow out through the bowing of the chest, back and arms to the cupping in the palms of the hands.

In this way we are connecting, rooting, stabilising and empowering the entire body from extremity to extremity.  The harmony and manipulation of upper and lower body feed each other to multiply power and animation.

 

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Use of the hips in Karate

Sunday, September 20th, 2009

I posted a video onto Facebook today to help reinforce some points to a student, who wanted some help on the next grading kata, Tekki Shodan They way that we practise this kata is with less movement on the hips and more of a focus on using the feet, legs and waist to generate power.

A friend and old student of mine, who is now a 3rd Dan, sent me a message to say that he thought that there should be more visible movement of the hips. We exchanged a couple of messages about this and it was interesting to share one anothers thoughts. It made me step back for a while and consider how we are taught to use the hips in Karate.

When I first started learning Karate, the focus back then was that you had to make big visible movements of the hip to make a technique both fast and effective. I remember many sessions doing 500+ repetitions on both legs to practise that hip action. Hanme, Shomen, Hanme, Shomen over and over again until the instructor was more satisfied with the progress. Looking back on that now, it was good training initially to learn the body movement necessary and to practise it, but it rarely involved any coaching to improve the technique, and if there were any comments, they would usually be along the lines of “more hip” or “faster” so nothing earth shattering. Neither did we actually practice hitting anything. Rather the purpose of the drill was simply to tire us out. It was the way most instructors taught back then, just glad that things have moved on so much now.

Over the years I trained with other style of Karate including Wado and Shotokai and it’s been interesting to see and hear their take on the use of the hips. Likewise with other martial art, to study how they generate power. One of the things that is evident is that in quite a few Karate clubs, they only work on the speed of the hip movement to generate power and effectiveness in techniques and don’t consider anything else, which I believe is a mistake.

I’ve been hit quite hard over the years by lots of people, but the three hardest punches, that I remember were from ( I probably shouldn’t say this, because it’ll only serve as an excuse for some other people to hit me harder) Dave Hazard, Tony Lima and Steve Morris. The interesting thing was that they all use their body in slightly different ways to generate power, but they all did generate power and speed in abundance and none of them were people I’d want to mess with for real.

Dave Hazard did a more traditional Shotokan punch on me, with some very heavy focus and kime at the end of the technique to a precise point. Tony Lima’s punch was more like a train just rushing into me and not stopping, without the use of Kime, I remember being winded (that most have been the first time in 20+ years) and feeling very sick and that was after being hit through a pad. Steve Morris’ hit was different to anything I’d ever experienced, I felt the whiplike blow to my chest and it hurt, but what I wasn’t prepared for was the momentary delay and the internal feeling as if someone had really hit me very hard inside my body and all of my organs were being shaken, that was the bit that really hurt.

I mentioned that there approach was very difference. One used the traditional Shomen, Hanme approach from front stance that I’d been taught all those years ago. Another stood in a rooted back stance and used no external hip action but did make good use of a relaxed body with no kime or tension in the technique. The third did a whipping action using his whole body to make the punch work, an analogy that someone else came up with, when we discussed it was “It’s like being hit by a crashed train, you get the initial impact and then a big follow through with a big heavy crash from the rear goods wagons.

My friend and I did agree to disagree on the basis of our past experience, but I did suggest some sites to go and research and see what other people are doing.

Here are a some examples of the different ways of punching and using the body to generate power. Steve Morris or Mitsusuke Harada (Tony Lima\’s teacher) or Yano Shotokan 8th Dan There are only so many ways that you can move your body to generate power regardless of style or martial art practiced and a good martial artist shouldn’t be blinkered in their approach nor their learning.

I’d strongly recommend anyone to get to make an effort and train with Steve Morris and also with Karate Do Shotokai, to learn what they have to offer from their different perspectives. I’ve trained with both approaches and I have to say that both work really well.